Articles on this Page
- 03/17/16--22:57: _St. Patrick’s Day
- 04/13/16--00:21: _The Exorcism of Emi...
- 05/31/16--16:41: _Monarch Mind Contro...
- 06/19/16--11:15: _Witchcraft & Witche...
- 08/08/16--23:08: _Video and Art Album...
- 10/22/16--03:51: _Music, Gifs, and Vi...
- 11/03/16--01:18: _Halloween
- 12/14/16--17:59: _Foreign American-Ho...
- 02/13/17--00:40: _Maria Brink Remixed
- 02/19/17--12:50: _Valentine's Day Hor...
- 05/22/17--04:44: _shayes-floating-hea...
- 05/22/17--04:44: _SLAPPER [Flickr]
- 05/22/17--04:44: _SPASTIC-SHAYE [Flickr]
- 05/22/17--04:44: _suspesdous [Flickr]
- 05/23/17--23:03: _Jason Voorhees [Fli...
- 05/24/17--18:32: _Mother's Day Massac...
- 12/24/17--12:09: _Short Films
- 12/31/17--17:14: _New Years Countdown...
- 01/16/18--05:31: _Russian Roulette
- 01/17/18--08:13: _Some Star-Studded S...
- 02/04/18--08:52: _New Horror Film Her...
- 02/12/18--03:05: _Short-Films: Michae...
- 02/22/18--19:36: _Short Films and Int...
- 02/28/18--15:06: _The Golden Gate Bridge
- 03/30/18--05:25: _House of Pain
- 04/10/18--01:04: _Chopper
- 04/30/18--05:55: _"Põrgu" / Hell
- 05/26/18--16:49: _Beyond the Night - ...
- 06/06/18--06:52: _The Family Cult
- 06/07/18--07:57: _Animated Horror, Fa...
- 03/17/16--22:57: St. Patrick’s Day
- 04/13/16--00:21: The Exorcism of Emily Rose and Anneliese Michel
- 05/31/16--16:41: Monarch Mind Control: Decoding the Shia Labeouf video and more
- 06/19/16--11:15: Witchcraft & Witches and Occult eBooks
- 10/22/16--03:51: Music, Gifs, and Videos
- 11/03/16--01:18: Halloween
- 12/14/16--17:59: Foreign American-Horror Movie Posters
- 02/13/17--00:40: Maria Brink Remixed
- 02/19/17--12:50: Valentine's Day Horror Shorts and History
- 05/22/17--04:44: shayes-floating-head [Flickr]
- 05/22/17--04:44: SLAPPER [Flickr]
- 05/22/17--04:44: SPASTIC-SHAYE [Flickr]
- 05/22/17--04:44: suspesdous [Flickr]
- 05/23/17--23:03: Jason Voorhees [Flickr]
- 05/24/17--18:32: Mother's Day Massacre (More Holiday Horror)
- Proclamation 2083 – Mother's Day Proclamation, Franklin D. Roosevelt, 3 May 1934.
- Proclamation 3535 - Mother's Day, 1963, John F. Kennedy, 26 April 1963.
- Proclamation 3583 – Mother's Day, 1964, Lyndon B. Johnson, 23 April 1964
- Proclamation 4437 – Mother's Day, 1976, Gerald Ford, 5 May 1976.
- Proclamation 5801 – Mother's Day, 1988, Ronald Reagan, 26 April 1988.
- Proclamation 6133 – Mother's Day, 1990, George Bush, 10 May 1990
- Proclamation 6559 – Mother's Day, 1993, Bill Clinton, 7 May 1993.
- Proclamation 8253 – Mother's Day, 2008, George W. Bush, 8 May 2008.
- 12/24/17--12:09: Short Films
- 12/31/17--17:14: New Years Countdowns, Interactives, and Live Streams
1. Hurricane Irma
2. Matt Lauer
3. Tom Petty
4. Super Bowl
5. Las Vegas shooting
6. Mayweather vs McGregor fight
7. Solar eclipse
8. Hurricane Harvey
9. Aaron Hernandez
- 10. Fidget Spinner
- 01/16/18--05:31: Russian Roulette
- 01/17/18--08:13: Some Star-Studded Surreal and Scary Short-Films
- 02/04/18--08:52: New Horror Film Hereditary Has Everyone Scared
- 02/12/18--03:05: Short-Films: Michael Cera, Megaball, and Monsters
- 02/22/18--19:36: Short Films and Interactives
- 02/28/18--15:06: The Golden Gate Bridge
- 03/30/18--05:25: House of Pain
- This all happened in Northern California.
- Melvin Just died before the film was completed, and was never convicted for the murder of the county nurse.
- Grandma Fay was a collector of her “suitors'” underwear and he also won a pissing competition once against four guys. (don't ask)
- Whitney’s dad, estranged for decades, left Ann and James to join the Hell’s Angels when James was 9 years old.
- Because this family makes The Wild and Wonderful Whites of West Virginia look like My 2 Dads, here’s the family tree:
- 04/10/18--01:04: Chopper
- 04/30/18--05:55: "Põrgu" / Hell
- 05/26/18--16:49: Beyond the Night - 360° Horror Film and more 360 Horror
- 06/06/18--06:52: The Family Cult
- 06/07/18--07:57: Animated Horror, Fantasy, and Dark Comedy Short-Films
#MindSpaceApocalypse. @Overkill_MSA on Twitter - We Are Legion
Weird, Art, and Misc. Videos
The Exorcism of Emily Rose
The house where this took place burned down a few years ago and supposedly spirits or ghosts were spotted.
More of the supernatural, scary, strange, and shocking.
Creepy and interesting.
Part of Project Make-Believe
Click through the library section below⬇ for more on Project Monarch Mind Control (including the one refered to in the breakdown and
The TRANCEformation of America)
Add to Flipboard Magazine Tweet to @Overkill_MSA
Add to Flipboard Magazine.
|MindSpaceApocalypse Halloween by the numbers Infographic (fullscreen)|
Source: Halloween Post 2: Interactive Insanity Friday the 13th Post Number 1 and Number 2 Mind Space Apocalypse Free Full Movie As Long As It's Up: Bloody Pit of Horror - Based on the writing of Marquis de Sad
Happy Halloween. A few short-films, halloween horror quizzes, gif, pics, and some online games.
American films are distributed all over the world, just like foreign films are distributed here. A majority of the time the posters widely vary, foreign posters are created by each country to market it to their respective audience and sometimes don't even look like they're for the same movie.
I was curious if posters have ever determined whether or not you saw a movie in the theatres, got you excited for a movie that didn't do live up to the poster, or if (like these examples) they could possibly change your opinion or the way you experienced a film if you saw one of them before seeing the movie.For example, the giant Leprechaun or the way the Poltergeist and Rosemary's Baby posters emphasize the demon/evil instead of just a static tv in the dark or a simple shot of a stroller.
Pretend you've never heard of these movies and based only on these posters, "Ticket? Or Skip it?"
Short Circuit (Czech Republic)
Click for Video Credits/Info and more Horror Shorts:
Valentine's Day is a time to celebrate romance and love, stupidity and consumerism. However, the origins of this weird candy-heart festival with flying naked baby-archers and overpriced plants wrapped in ribbon are actually pretty dark and bloody. - HEART SHAPED symbols. - According to some, the shape of the heart represents an Ivy Leaf,...
Under the rule of Claudius the Cruel, Rome was involved in many unpopular and bloody campaigns. The emperor had to maintain a strong army, but was having a difficult time getting soldiers to join his military leagues. Claudius believed that Roman men were unwilling to join the army because of their strong attachment to their wives and families.
To get rid of the problem, Claudius banned all marriages and engagements in Rome. Valentine, realizing the injustice of the decree, defied Claudius and continued to perform marriages for young lovers in secret.
When Valentine’s actions were discovered, Claudius ordered that he be put to death. Valentine was arrested and dragged before the Prefect of Rome, who condemned him to be beaten to death with clubs and to have his head cut off. The sentence was carried out on February 14, on or about the year 270.
Legend also has it that while in jail, St. Valentine left a farewell note for the jailer’s daughter, who had become his friend, and signed it “From Your Valentine.”
For his great service, Valentine was named a saint after his death.
In truth, the exact origins and identity of St. Valentine are unclear. According to the Catholic Encyclopedia, “At least three different Saint Valentines, all of them martyrs, are mentioned in the early martyrologies under the date of 14 February.” One was a priest in Rome, the second one was a bishop of Interamna (now Terni, Italy) and the third St. Valentine was a martyr in the Roman province of Africa.
Legends vary on how the martyr’s name became connected with romance. The date of his death may have become mingled with the Feast of Lupercalia, a pagan festival of love. On these occasions, the names of young women were placed in a box, from which they were drawn by the men as chance directed. In 496 AD, Pope Gelasius decided to put an end to the Feast of Lupercalia, and he declared that February 14 be celebrated as St Valentine’s Day.
Gradually, February 14 became a date for exchanging love messages, poems and simple gifts such as flowers
St Valentine’s Skull:
6 Surprising Facts About St. Valentine
A man named Valentinus was martyred on February 14 late in the third century A.D.—this much we know. But when it comes to details about the life of St. Valentine, legend often supersedes fact. As you celebrate this Valentine’s Day, find out the truth about the man for whom the day is named, as well as some other intriguing facts about history's most romantic holiday.
1. The St. Valentine who inspired the holiday may have been two different men. Officially recognized by the Roman Catholic Church, St. Valentine is known to be a real person who died around A.D. 270. However, his true identity was questioned as early as A.D. 496 by Pope Gelasius I, who referred to the martyr and his acts as “being known only to God.” One account from the 1400s describes Valentine as a temple priest who was beheaded near Rome by the emperor Claudius II for helping Christian couples wed. A different account claims Valentine was the Bishop of Terni, also martyred by Claudius II on the outskirts of Rome. Because of the similarities of these accounts, it’s thought they may refer to the same person. Enough confusion surrounds the true identity of St. Valentine that the Catholic Church discontinued liturgical veneration of him in 1969, though his name remains on its list of officially recognized saints.
2. In all, there are about a dozen St. Valentines, plus a pope. The saint we celebrate on Valentine’s Day is known officially as St. Valentine of Rome in order to differentiate him from the dozen or so other Valentines on the list. Because “Valentinus”—from the Latin word for worthy, strong or powerful—was a popular moniker between the second and eighth centuries A.D., several martyrs over the centuries have carried this name. The official Roman Catholic roster of saints shows about a dozen who were named Valentine or some variation thereof. The most recently beatified Valentine is St. Valentine Berrio-Ochoa, a Spaniard of the Dominican order who traveled to Vietnam, where he served as bishop until his beheading in 1861. Pope John Paul II canonized Berrio-Ochoa in 1988. There was even a Pope Valentine, though little is known about him except that he served a mere 40 days around A.D. 827.
3. Valentine is the patron saint of beekeepers and epilepsy, among many other things. Saints are certainly expected to keep busy in the afterlife. Their holy duties include interceding in earthly affairs and entertaining petitions from living souls. In this respect, St. Valentine has wide-ranging spiritual responsibilities. People call on him to watch over the lives of lovers, of course, but also for interventions regarding beekeeping and epilepsy, as well as the plague, fainting and traveling. As you might expect, he’s also the patron saint of engaged couples and happy marriages.
4. You can find Valentine’s skull in Rome. The flower-adorned skull of St. Valentine is on display in the Basilica of Santa Maria in Cosmedin, Rome. In the early 1800s, the excavation of a catacomb near Rome yielded skeletal remains and other relics now associated with St. Valentine. As is customary, these bits and pieces of the late saint’s body have subsequently been distributed to reliquaries around the world. You’ll find other bits of St. Valentine’s skeleton on display in the Czech Republic, Ireland, Scotland, England and France.
5. Chaucer may have invented Valentine’s Day. The medieval English poet Geoffrey Chaucer often took liberties with history, placing his poetic characters into fictitious historical contexts that he represented as real. No record exists of romantic celebrations on Valentine’s Day prior to a poem Chaucer wrote around 1375. In his work “Parliament of Foules,” he links a tradition of courtly love with the celebration of St. Valentine’s feast day–an association that didn’t exist until after his poem received widespread attention. The poem refers to February 14 as the day birds (and humans) come together to find a mate. When Chaucer wrote, “For this was sent on Seynt Valentyne’s day / Whan every foul cometh ther to choose his mate,” he may have invented the holiday we know today.
6. You can celebrate Valentine’s Day several times a year. Because of the abundance of St. Valentines on the Roman Catholic roster, you can choose to celebrate the saint multiple times each year. Besides February 14, you might decide to celebrate St. Valentine of Viterbo on November 3. Or maybe you want to get a jump on the traditional Valentine celebration by feting St. Valentine of Raetia on January 7. Women might choose to honor the only female St. Valentine (Valentina), a virgin martyred in Palestine on July 25, A.D. 308. The Eastern Orthodox Church officially celebrates St. Valentine twice, once as an elder of the church on July 6 and once as a martyr on July 30.
insainment posted a video:
Click through playlist for more History, Mother's Day Murder, A Creepypasta, etc..
(Links below open the movie in new tab/window)
Presidential proclamations from The American Presidency Project:
For those who haven't heard, vidme decided to shut down and close their entire damn site, out-of-nowhere and permanently..
Which means I now have a ton of fuckin' video embeds and links all over the place to fix or delete, so for now here are some playlists from our youtube channel that are full of Short-Films (mainly horror).
I'm a fan of good short-films so I'll still be collecting the best of them all in one place, but they'll be posted on here now instead of having a dedicated channel or "tube" like our vidme account was,
If you're a fan of 'em too keep an eye out for more...
If you've never seen it, "Kung Fury" is an epic short with a throwback '80s style:
"Who's There" film challenge from Bloody Cuts:
Ghosts, Zombies, Vampires, Werewolves, Serial killers, Evil clowns, Psychos and Insane cultists, Giant killer lizard beasts from hell, Found footage, Horror-Comedies, Documentaries.. a little something for everybody..👇
Winners got $13,000 in prizes and a chance to have your work seen by industry top professionals.
*I put the winner of the challenge at the very bottom by itself*
Webcam Network | EarthCam is proud to present New Year's 2016 from Times Square and a host of cities around the world. Enjoy multiple webcam views, along with streaming video and audio, and watch as the world ushers in 2016!
The Top 10 Google Searches of 2017:
Online New Years Countdown Clock 2017 in any time zone. Map shows the New Year's Eve Countdown, the number of days, hours, minutes & seconds until the beginning of the new year 2017.
An interactive visualization that shows how people around the world tweeted happy new year messages as 2013 became 2014
Create your own version of the New Year's song, Auld Lang Syne, by interacting with different instruments and their harmonies.
Watch in real-time as the New Year moves across the world map from east to west.
A "Russian Roulette" I threw together real quick. Pick a video, in any order, and see how long you'd last..
More Games Here, or:
Maybe I'm alone, but I didn't know that for the last few years NYT Magazine has teamed up with filmmakers and "actors-of-the-year" to make a series of short-short-films based on a subject.
Fright Club and Touch of Evil:
The rest include some 'girl-power' in an all-female series, surreal dreamlike scenes in Take Flight and Wide Awake, some classic Noir with a 360 twist, "Making a Scene", some kissing, and more.. Enjoy..
Cool 360 intro to Take Flight:
The Take Flight Series:
All of the rest:
Links to articles:
Alex - Ethan Mikael
Monster - Kevin Michael Shiley
Writer | Producer | Director | Editor | Score - Joey Greene
DP | Color | Sound | VFX - Paul Houston
SFX Makeup - Morgan Falschlehner
AC - Garrett Holbrook
GREGORY GO BOOM
Gregory: Michael Cera
Rose: Sarah BurnsTom: Brett Gelman
Summer/Cheyenne: Anna Rose Hopkins
Attendant: G. Maximillian Zarou
Written and Directed by: Janicza Bravo
Executive Produced by: Doug Deluca, Daniel Kellison and Mickey Meyer
Produced by: Janicza Bravo, Debbie Chesebro and Brett Gelman
Director of Photography: Christian Sprenger
Edited by: Cine Bravo
Head of Production: AJ Tesler
Post Production Supervisors: Josh Kurz, Trish Hadley
Assistant Editor: Aron Fyne
1st AD: Crystal Munson
Production Designer: Rachael Ferrara
YOUR LUCKY DAY
Written by: Jessica Brunetto and Jonathan Caouette
Starring: Chloë Sevigny
here's her short-film directorial debut
Directed by: Daniel Martínez Lara & Rafa Cano Méndez
Produced by: Daniel Martínez Lara & Nicolás Matji
Music by: Oscar Araujo
Production Manager: Eva Márquez Matías
Sound by: Aleix Vila
David Cross as Ham Sandwich
Emanuel Borria as Spaghetti
Genevieve Jones as Milk
Ryan Bradley Heine as Celery, Jam, Pudding
Daniel Hartley as Mayo
Sunny Peabody as Butter
Justin Uretz as Orange
Marty Dusig as the Man
DeAnne Trimarchi as the Woman
Directed by Dave Green
Producer: Ryan Hendricks
Producer/Scriptwriter: Georgina Higgins
starring Daisy Ridley ("Rey" in Star Wars: The Force Awakens) as Sarah.
DIRECTED BY DANIELS
PRODUCED BY XBOX LIVE STUDIOS, PRETTYBIRD & INTERLUDE made in the USA
Three years after completing the transcontinental railroad, Charles Crocker, a railroad executive, made a presentation to the Marin County Board of Supervisors in which he laid out plans for a bridge that would span the Golden Gate Strait, the entrance to the ocean from San Francisco Bay. (The strait was named Chrysopylae, Greek for “golden gate,” by U.S. Army Captain John Fremont in 1846.) Many didn’t believe it could be done: At its narrowest point, the strait was still more than a mile wide, with turbulent currents ranging from 4.5 to 7.5 knots. The project wouldn’t be seriously considered until 1919, when the San Francisco Board of Supervisors had the city's engineer, Michael O’Shaughnessy, do a study to determine the feasibility of a bridge. The initial results estimated that constructing a bridge would cost $100 million.
In 1920, O’Shaughnessy sent letters to three prominent engineers inquiring about building a bridge over the strait: Joseph B. Strauss, Francis C. McMath, and Gustav Lindenthal. Strauss submitted plans for a symmetrical cantilever-suspension hybrid span, which he had developed and later patented. Reports vary, but Strauss thought he could build the bridge for $17 million or $27 million.
Eventually, Strauss would abandon his design in favor of a more conventional suspension bridge.
Because the War Department owned the land on both sides of the strait, it had to authorize the construction of the bridge. A temporary construction permit was granted on December 24, 1924, and a final permit was issued on August 11, 1930.
"The Golden Gate Bridge in 1930 had 2300 lawsuits against it,” transit expert Rod Diridon told NBC Bay Area. One of those lawsuits was brought by the Southern Pacific Railroad, which owned 51 percent of the ferry company that took commuters and cars between San Francisco and Marin County. Ansel Adams and the Sierra Club were also opposed to the bridge, which they felt would mar the natural beauty of the strait.
According to the Federal Highway Administration, getting the bridge approved “took several favorable court rulings, an enabling act from the State legislature, two Federal hearings prior to approval from the U.S. Department of War (which had long feared that any bridge across San Francisco Bay would hinder navigation), a guarantee that local workers would have first crack at the jobs, and a mass boycott of the ferry service operated by the Southern Pacific Railroad.”
By November 1931, Strauss—who, according to PBS, “did not understand the complexity of the engineering work” and couldn’t understand why it was taking so long—ordered Ellis to take a vacation. Just three days before he was slated to return, Strauss sent a letter informing Ellis that he was to take an indefinite (and unpaid) vacation and turn all of his work over to his assistant.
Unable to find other work, Ellis continued to crunch the numbers on the Golden Gate Bridge, unpaid, for up to 70 hours a week. (He submitted his report in 1934; Strass and Moisseff ignored it.) He eventually took a job as a professor at Purdue, and when the bridge opened in 1937, Ellis received no credit for his work, despite the fact that he had, in his own words, designed “every nut and bolt on the darn thing.” His role in the bridge project wouldn’t be revealed until his passing in 1949.
After years of setbacks and fundraising, Strauss and his team finally broke ground on the bridge on January 5, 1933. It was, apparently, a big event: According to the official program, there was a parade to Crissy Field, where, after opening remarks were given and a message from President Herbert Hoover was read, there was a 21-gun salute and a bridge was painted in the sky. Next there was a pageant where engineering students showed off an 80-foot-long model of the bridge containing carrier pigeons that were to take news of the groundbreaking all over California. Finally, San Francisco Mayor Angelo Rossi and bridge Board President William P. Filmer broke ground using a golden spade and a closing prayer was read. At least 100,000 people attended the celebration.
Take out any element of a suspension bridge, and the structure won’t stay standing for long—but the cables are particularly important: They're strung horizontally between two massive concrete blocks called anchorages on each side of the bridge, with additional vertical cables called suspender ropes attaching the main cable to the bridge’s deck (or roadway). Vehicles push down on the roadway, but the suspender ropes transfer that load to the main cables, which transfer it to the towers, which support most of the weight.
For the Golden Gate Bridge, Strauss needed cables that would be strong enough to support the structure of the bridge and bend 27 feet laterally in the Gate’s high winds—and they’d need to be made right there on the construction site. So he turned to the experts: Roebling's Sons Co., which had made the cables for the Brooklyn Bridge 52 years earlier and spun them on site. For the Golden Gate Bridge, the company developed a method called parallel wire construction. The spinning began in 1935; PBS describes the process:
To spin the cables, 80,000 miles of steel wire less than 0.196 inch in diameter were bound in 1,600-pound spools and attached to the bridge's anchorages. A fixture within the anchorages called a strand shoe was used to secure the "dead wire" while a spinning wheel, or sheave, pulled a "live wire" across the bridge. Once it reached the opposite shore of the Gate, the live wire was secured onto the strand shoe, and the wheel returned with another loop of wire to begin the process again. … One wire at a time, the cables for the Golden Gate bridge were spun from tower to tower, anchorage to anchorage. The spinning was tedious; not only did it take time for the spinning wheel to travel the mile between the two shores, but the work had to be performed in a precise sequence, in order to create the balance needed for the cables to absorb the proper amount of wind pressure.
To get the spinning done within the time frame—14 months—and on-budget, the company created a split-tram system that would eventually be capable of spinning six wires at once, which allowed them to spin 1000 miles of wire in a single eight-hour shift. Thanks to Roebling's methods, the cables were finished eight months ahead of schedule.
The bridge’s two main cables are each 7659 feet long, over three feet in diameter, and contain 27,572 parallel wires. The largest cables ever spun, they’re long enough to circle the world at the equator more than three times.
|The first step in the main cable construction was the erection of a “footwalk” which was suspended directly under where the main cables would then be spun.|
In the 1930s, the odds were not in a worker’s favor: On average, one man was killed per million dollars spent on a big project.
Strauss wanted to beat those odds, and spent a ton of money on safety. Goofing off was forbidden: “Old Strauss enforced the rules,” Pete Williamson, one of the workers on the bridge, said. “All a guy had to do was to stand out there on one foot, and he was fired.” Workers had to wear glare-free goggles, use hand and face cream to protect their skin from the high winds, and go on special diets that Strauss believed would fend off dizziness. The engineer had the E.D. Bullard Company create special hard hats for the bridge workers, which they were required to wear at all times, and in 1936, Strauss installed a net under the bridge that cost $130,000. The device, similar to what’s strung below the circus trapeze, was manufactured by the J.L. Stuart Company and extended 10 feet wider than the bridge’s width and 15 feet longer than its length; it helped to speed construction while also giving workers a sense of security. It saved 19 men who otherwise would have plummeted into the water below; they were said to belong to the Halfway to Hell Club.
For most of the construction, Strauss’s site was fatality-free. Then, just a few months before the bridge opened, one worker was killed by a falling derrick. A few weeks after that, scaffolding collapsed, falling into the net with 12 workers holding on. The net tore and the scaffolding plunged into the water 220 feet below, killing 10. One survivor, 26-year-old Slim Lambert, recalled, "As I was falling, a piece of lumber fell on my head. I was almost unconscious. Then the icy water of the channel brought me to." He had broken his shoulder, some ribs, and a few neck vertebrae, but managed to swim to shore.
Albert "Frenchy" Gales, a construction worker, was on top of the south tower when the quake hit in June 1935. “[The tower] was so limber the tower swayed 16 feet each way,” he later said. “There were 12 or 13 guys on top with no way to get down. The elevator wouldn’t run. The whole thing would sway toward the ocean, guys would say, ‘here we go!’ Then it would sway back, toward the Bay. Guys were laying on the deck, throwing up and everything. I figured if we go in, the iron would hit the water first.”
When the original rivets become corroded, they’re replaced with galvanized high-strength bolts. Proposed colors for the bridge included carbon gray, aluminum, or black, and the U.S. Navy wanted black with yellow stripes (for greater visibility). But Irving Morrow, the consulting architect (who was also responsible for the bridge’s Art Deco look), didn’t want any of those colors: The black was unattractive and would reduce the scale of his bridge; aluminum would make the towers look tiny.
In the end, he was inspired by the red primer the steel beams had been coated in at the factories back east, and settled on International Orange, which complemented the bridge’s natural surroundings but also helped the structure stand out from the sea and sky. “The effect of International Orange is as highly pleasing as it is unusual in the realm of engineering,” Morrow said. As an added benefit, the color is highly visible in fog.
*The CMYK formula for International Orange is Cyan: 0 percent, Magenta: 69 percent, Yellow: 100 percent, Black: 6 percent.
The paint for the bridge is currently supplied bySherwin-Williams. The exact color's not available to the public, but supposedly their color "Fireweed" is the closest (it looks a lot darker to me, but whatever..)
It took a little over four years to build the bridge, and the total cost of the project was $35 million. When the bridge was completed, San Francisco feted it for a solid week; The Golden Gate Bridge Fiesta lasted from May 27 to June 2. Strauss—an engineer as well as a poet—read a poem he penned for the occasion, called “The Mighty Task is Done,” which begins:
At last the mighty task is done;
Resplendent in the western sun
The Bridge looms mountain high;
Its titan piers grip ocean floor,
Its great steel arms link shore with shore,
Its towers pierce the sky.
Opening day was “Pedestrian Day,” and 15,000 people an hour went through the turnstiles, each paying 25 cents to cross; some traversed the bridge on stilts and roller skates or on unicycles.
Vendors set up along the roadway sold an estimated 50,000 hot dogs.
At noon on May 28, FDR pressed a telegraph key in the White House that announced the bridge’s opening to the entire world, and at 3 p.m. a fleet of 42 Navy ships sailed under the bridge; the day was capped off by a fireworks display at 10 p.m. At some point during the celebration, a Fiesta Queen of the Golden Gate Bridge was crowned, although reports differ as to who won.
When the bridge opened in 1937, the weight of the bridge along with its anchorages and approaches was 894,500 tons. Re-decking in 1986 reduced the total weight to 887,000 tons.
The longest closure in the Golden Gate’s history occurred on December 3, 1983, when winds reached 75 mph; the roadway was shut down for three hours and 27 minutes. But there have been full closures for anniversaries and construction work, and brief closures—on two separate occasions—for visiting dignitaries Franklin Delano Roosevelt and Charles de Gaulle.
The Bridge has an influence in directing the fog as it pushes up and pours down around the Bridge. Sometimes, high pressure squashes it close to the ground.
Bridge Tollstarted out at 50 cents.
Currently, an average of over 100,000 vehicles use the Golden Gate Bridge every day. Approximately 40 million vehicles used it in 2003, which is not much more than its first year’s volume of 33 million. There have been over 1.8 billion crossings since it opened in 1937.
50th Anniversary: Officials expected a maximum of 50,000 people to attend the bridge’s 50th anniversary celebration on May 24, 1987. Instead, 800,000 people showed up, and what happened next, as described in a report filed the year after the incident, sounds like a nightmare:
The Golden Gate Bridge responded visibly to the large live load with a reported deflection of its roadway of almost 10 feet at the midspan. ... The situation was compounded by the 17 mph winds blowing across San Francisco Bay. Suspension bridges are vulnerable to wind loads and, while the bridge was swaying from side to side because of the winds and flattening under the heavy live load, near panic conditions resulted. People were suffering from nausea and claustrophobia in the density of the crowd, making it increasingly difficult to alleviate the situation by directing the people away from the bridge.
“The whole bridge flattened out—its whole arch disappeared,” Gary Giacomini, president of the Bridge District Board, said at the time. “The bridge had the greatest load factor of its 50-year life. The suspension cables at the center of the bridge were stretched as ‘tight as harp strings,’ while the lower cables near the tower seemed to flap in the wind … I thought, ‘Wow, this isn’t a good idea!'"
But there was never any reason to fear. According to the report, the bridge deck was designed to move 15 feet vertically and 27 feet from side to side, and Charles Seim, a former supervising bridge engineer with the state’s transportation department, said that “I knew we were exceeding design loads, but I wasn’t worried in the slightest. Even at the maximum design load of 5700 pounds per foot the stress in cables is only 40 percent of their yielding stress, that’s a large factor of safety.”
look forward | walk forward |
An American documentary by James R. Whitney about his grandfather, Melvin Just, and the devastating consequences of the sexual abuse he inflicted on his family.
|(Scroll to bottom to watch the full documentary)|
Roger Ebert said the film was "one of the most powerful documentaries I've seen" and
"Just, Melvin," is a portrait of a family that still has open wounds and deep psychic scars after decades of abuse. The title refers to Melvin Just, who as a husband, father, stepfather and grandfather repeatedly committed incest and abuse against almost everyone in his family. Two of his stepdaughters were witnesses when he strangled a visiting nurse, a crime for which he was never tried. The survivors to this day are in a state of shock, which the camera plainly shows: Some live in campers or vans, and alcoholism and prostitution are symptoms.
The film was made by James Ronald Whitney, one of Melvin's grandsons, with the support of his mother, Ann Marie. It is not the first documentary about family abuse, but it is probably the most painful. It isn't uncommon to hear abuse or incest victims share their memories, but "Just, Melvin" does the unimaginable and shows the evil old man being confronted by the accusations, first in an extraordinary meeting with James, later in a family visit to his hospital room.
Whitney said after the screening that he had escaped the fate of other family members because of the strength of his mother, a woman who once tried to shoot Melvin, and who, strong and intelligent, steered him away from drugs and trouble and into show business (we see him as a winning dancer on "Star Search").
His film is not only devastating but subtle in its artistry, with great attention to a soundtrack that suggests the echoes of long-ago words of hate and current painful memories. Nothing in the film quite prepares us for the closing scenes at a burial service, where a pastor reads futile words of comfort while drunken family members alternate between grief and rage."
"There are few subjects as abhorrent to our sensibilities as incest, particularly when it involves very young children, and Just, Melvin chronicles a truly monstrous case. The film tells the story of an individual whose path of destruction was so insidious and devastating that it's almost impossible not to be provoked to feelings as varied as sympathy, rage, and disgust. That this is not an account by an outsider but the story of a survivor makes it all the more remarkable and significant, but not any easier to digest.
James Ronald Whitney is the grandson of Melvin Just. His mother was abused and molested from a very early age, as were all her sisters and step- sisters. And as we consequently discover, the same is true of all the women in Melvin Just's second marriage. This litany of violation and mistreatment is especially disturbing because the film has an odd, almost-matter-of-fact tone. There is no need for dramatic histrionics. The reality of these confessions makes us witnesses to violence that is frighteningly genuine. The confessions themselves were perhaps triggered by the reopening of a case involving the killing of a social worker, a murder that undoubtedly was the act of Whitney's grandfather.
The fact that the filmmaker himself was also the subject of abuse and managed to 'escape' his madly dysfunctional upbringing just adds to the many elements that make this film so intriguing. But Just, Melvin is a story that will never have a happy ending, a chilling and candid portrait of the cycles and consequences of abuse."
As the grandson of Melvin Just, Whitney delves through his horrific ancestry while delivering what feels like scripted monologues, often while playing a grand piano. Even though the film’s theme is nothing short of ghastly, the director takes intermittent breaks from the family’s story to dwell on his quasi-successful past as a Star Search contestant, dancer, college cheerleader, pianist, and martial artist.
(It may be insensitive, but these sequences leave the viewer with the same creepy feelings one derives from Herzog documentaries.)
Like proposing marriage during a funeral, Whitney's inability to resist indulging in the spotlight, especially in such an odious context, is unfortunate. Even so, his encapsulation of the events is exceptionally effective.
Whitney’s disquieting moments of self-promotion sit in stark contrast with the surreal story of Melvin Just and his victims. The ancestral tree is rotten with child molestation, suicide attempts, incest, and substance abuse. The majority of women in Just’s two families recount numerous acts of abuse from infancy to their teenage years. As Melvin remarries, each time into a family ripe with young, pre-existing daughters, the list of abominations grows longer.
Additionally, though it’s less highlighted in the film, many of the male members in the family describe being assaulted as well, or witnessing abuse at one point or another. Eerily enough, though not including the very brief and ambiguous confession of Whitney’s own experience, the men in film seem so thoroughly steeped in denial, and/or conditioned acceptance, that not only do they not recognize any apparent problem, they seem to be continuing in the hideous tradition: An effort which seems likely to produce many more generations crippled by life altering trauma.
The account of this family’s grievous past, accompanied by its seemingly inherent and infectious proclivity for tolerated sexual abuse, is really nothing short of stomach turning. Regardless of the director’s method, the creation of this film and the story being told is undeniably important. The sequences where Whitney speaks with his mother, Ann, as well as his aunts, are tangibly therapeutic, and – in an almost invasive way – touching. Whitney’s narration is not always the most irritating thing ever heard and, while I’m not a big fan of a documentary filmmaker's forced inclusion of themselves so deeply in their film, his declaration that he will not stop until Just is either dead or in prison – not to mention his one-on-one confrontations with Melvin during filming – create an interesting dynamic that promoted a sense of urgency.
Experiencing the admissions of these women and men and the sense of acceptance they share is uniquely unnerving. The lasting affects drove nearly every single entity of the bloodline into dire circumstances, immersed in substance abuse, physical abuse, and homelessness. (Many of the director’s aunts, in fact, lived in stalled cars, alongside current boyfriends, dogs, and cats.)
Above all, there is absolutely no attempt at providing an unbiased account of the acts committed, nor should there be. Just, Melvin: Just Evil is not a picture-perfect documentary. Its occasionally uneasy juxtaposition between child molestation and how well director Whitney can do the splits doesn’t make for the easiest ride down an already uncomfortable road. Nevertheless, the overall effect is heartbreaking, virtually unimaginable, and pretty fuckin' disturbing...
"Serial Killers: The Real Hannibal Lectors"
"Underground Tunnels of Ireland"
"Serial Killer Couples"
"The Bridge" (Suicides from the Golden Gate Bridge)
"Accounts of Paranormal Entity Attacks"
"Dangerous Mega-Cults Scientology and Jehova's Witness"
"Lifting the Veil of Polygamy"
"Mormon Cult Secrets"
Mark Brandon "Chopper" Read (November 17, 1954 – October 9, 2013) was an Australian convicted criminal, gang member and author.
Read was born to a former army and Korean War veteran father and a mother who was a devout Seventh-day Adventist. He was placed in a children's home for the first five years of his life. His father, usually on his mother's recommendation, would beat him often as a child. Read was made a ward of the state by the age of 14 and was placed in several mental institutions as a teenager, where he underwent electroshock therapy.
When he was still young, Read was already an accomplished street fighter and the leader of the Surrey Road gang. He began his criminal career by robbing drug dealers, based in massage parlours in the Prahran area. He later graduated to kidnapping and torturing members of the criminal underworld, often using a blowtorch or bolt cutters to remove the toes of his victims as an incentive for them to produce enough money so that Read would leave them alive.
Read spent only 13 months outside prison between the ages of 20 and 38, having been convicted of crimes including armed robbery, firearm offences, assault, arson, impersonating a police officer and kidnapping. While in Pentridge Prison's H division in the late 1970s, Read launched a prison war. His gang, dubbed "The Overcoat Gang" because they wore long coats all year round to conceal their weapons, were involved in several hundred acts of violence against a larger opposing gang during this period. Around this time, Read had a fellow inmate cut both of his ears off in order to be able to leave H division temporarily.
Read was ambushed and stabbed by members of his own gang in a sneak attack when they felt that his plan to cripple every other inmate in the entire division and win the gang war in one fell swoop was going too far. Another theory is that James "Jimmy" Loughnan, a longtime friend of Read, with Patrick "Blue" Barnes, wished to benefit from a contract put on Read's head by the Painters' and Dockers' Union. Read lost several feet of intestine in the attack. At the time Read was serving a 16 and a half-year sentence after attacking a judge."
Now this should be funnier..
*I have no idea who this guy is. Apparently, from what I read without really looking into it, he's some Australian comedian who did a Chopper impression that people loved so he went around doing some stand-up as the 'character' and even got this late-night show for a while that basically revolved around the Chopper skits, which I thought were funny as shit:
Starring Eric Bana as Chopper:
"Põrgu" or "Hell"
An Estonian grotesque animated film by Rein Raamat, Tallinnfilm, 1983. The animation brings three Eduard Viiralt (Wiiralt) engravings from the 1930's to life:
"The engravings and the animation were created in a time of great uncertainties: in the 1930's Viiralt was reacting to the anticipation of the War and in the 1980's Raamat was having a presentiment of the chaos that the USSR’s collapse would bring about. Both depicting a feast in the time of plague, indulgence, and surreal satirical representations of people’s vices."
*More Art by Wiiralt:
With Zack's brother Vinny (Brennen Cowart), the couple fights to survive in this 360 homage to George Romero's Night of The Living Dead.
Co-starring Andrea Flowers, Timothy Allen, Patricia Eakin, William Swift and Jason Fought.
Written by Michael Hennesy and Brennen Cowart.
Directed by Jason Fought and Michael Hennesy.
Director of Photography/Editor Daniel Shih.
One such cult in Australia is called “The Family".
Even though its followers—mostly children—have grown and have been disconnected from the group for decades, the trauma of living in the highly abusive environment still haunts all of those who were involved.
The Family was led by Anne Hamilton-Byrne, a charismatic yoga teacher whose practices to raise a “master race” were largely unethical—and nearly homicidal.
In 1963, Anne Hamilton-Byrne, a glamorous delusional Australian yoga teacher, met the highly-respected bullshit artist British physicist Dr. Raynor Johnson. Together, under the influence of drugs like LSD, they began adult education classes called
“The Macrocosm and the Microcosm.”
|Village of the Damned much?|
But the children weren’t always treated lovingly. Allegedly, they were starved, beaten, and injected with LSD by Anne and other leaders of the cult. When asked why she imprisoned a total of 28 children, Anne replied, “I love children.”
Anne was one of the few female cult leaders in the world. At one point, she had up to 500 followers.
Anne was filmed saying,
“We’ve received the call—and great things will be done.”
Trouble arose for Anne and The Family in 1983, when police visited their Lake Eildon compound in Victoria, Australia in search of a missing girl. The girl was not found, but officers became suspicious of the goings-on in the area.
It wasn’t until 1986 that police had sufficient evidence that 13-year-olds were being injected with LSD against their will. This sparked the first of many investigations.
In 1987, after two children escaped the property, police were able to raid the compound to save six more. Shockingly, Anne and her husband, Bill—pictured below with a teen from their cult—were only ever charged with fraud due to forging birth certificates.
Now 96, Anne has never been convicted for her crimes. She refused to take responsibility, and now lives with dementia in a nursing home.
As a young woman, Anne never knew her father and her mother was severely mentally ill, which might have accounted for her own psychological issues.
The meetings became increasingly religion-based, and they incorporated a mixture of Christianity and Hinduism. During an LSD trip, Anne had a vision that she was the reincarnation of Jesus (yes, she thought she was Jesus), and that an apocalyptic third world war was about to wipe out most of humanity.
A SECRET diary uncovered after more than 30 years has revealed how notorious cult The Family trapped people in a web of fear and dependence.
The document shows how cult leader Anne Hamilton-Byrne convinced followers that she was Christ who had returned to save the world. Her cult was based on a mix of warped Christianity, Eastern mysticism and threats of alien invasions. The warped teachings included:
* ALIENS were going to invade the earth to cleanse the world of evil.
* NO-ONE should intervene if children were suffering because they should not interfere with God’s plan
* HAMILTON-Byrne told followers that she died for a few minutes and rose from the dead to prove her power to a sceptical psychologist.
* A FOLLOWER believed he was John the Baptist reincarnated, and,
* MIRACLES were delivered during yoga practices.
The diary was written by Raynor Johnson, an academic who lived at Melbourne University’s Queen’s College for decades before joining the cult on his retirement in 1964.
Read it here:
Investigating a mysterious explosion in the Florida Everglades, a crop-duster named Bill discovers a lone crate that survived the wreckage. Curiosity gets the better of him and he pulls the crate unto his airboat. That’s just the first in a series of decisions he learns to regret.
Animated sci-fi thriller short film featuring the voice of Tricia Helfer (Battlestar Galactica).
For Rene Fustercluck, life was bad, the Apocalypse was awful and then Gordon arrived. 'After the End' explores the possibility that the only thing worse than being the last man on earth, is being the second to last man on earth.
In the aftermath of a zombie outbreak, zombies are cured and exiled to secluded camps. There has been talk about rehabilitating post-zombies back into society.
Stanley the Pembroke Welsh Corgi is left behind in the break of an apocalypse.
Tokyo Gore Police